“There wasn’t really any notes or anything.
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And that they did.
Though even in that short span it evolved in a big way.
He’s like, a really sweet guy in a lot of his movies.
So I initially imagined more like metal, like a Tenacious D kind of track.
So it’s just these two ideas together.
“And everybody thought it was pretty good,” Horvath said.
It’s gonna blow up in our face.'
But he loved it,” Horvath said.
“He thought it was great.
He and his pianist, musician John Spiker, they wrote music for it.
So yeah, he liked it, he got into it.
And he actually delivered back to us within like a week more than we ever expected.”
“It was like two days,” Jelenic interjected.
“Was it two days?”
Horvath said, amused.
“We were like, ‘Ah, I really hope he likes it.’
And yeah, he never even was like, ‘Cool.
I love it.’
Jack–you know obviously Jack’s a huge talent–he turned it around super quickly.
There wasn’t really any notes or anything.
Everyone just loved it.
It’s a very sort of pure moment, I think, in the movie.”
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